Always a fan of a good 'real-life story', Saving Mr Banks was one of my most anticipated films of 2013; marketed as the true account of how Walt Disney (Tom Hanks) convinced the author of Mary Poppins, P.L. Travers (Emma Thompson), to let him adapt her beloved novel into a film for the big screen I was intrigued by the story and excited to learn more. Travers was notoriously against the idea of Mary Poppins becoming a Disney film and it took Walt Disney twenty years of asking before she even agreed to meet with him, and
Travers was adamant there would be no animation |
I think it is is clear to see who won that power battle.
As well as following Disney and Travers on their journey of creating the movie, the film is made up of many flashbacks of Travers' troubled childhood, particularly the turbulent relationship with her father (played by the brilliant Colin Farrell), thus providing a deep and somewhat emotional insight into why she was so protective of her book and it's characters. Although at times these flashbacks could be a bit emotionally exhausting they were incredibly valuable to the narrative and as her past visually unraveled the audience were able to connect with Travers in a way that would not have been as effective had it merely be mentioned verbally.
However, the main strength of Saving Mr. Banks was without a doubt the incredible cast. Emma Thompson is one of my favourite actresses and her portrayal of the stern, uppity P. L. Travers who is haunted by the memories of her childhood was extremely powerful. Likewise, Tom Hanks as the lovable 'buddy-buddy', all round 'good guy' Walt Disney was brilliantly played and although he didn't have an excessive amount of scenes, the film would have faltered without him as he stole every scene that he was in. The supporting cast can not be faulted in any way - from Ralph, Travers' driver, to the Sherman Brothers - every character had a role to play, nobody felt like an awkward spare part or was left behind and each actor gave a great, well-rounded and human performance.
Julie Andrews with the real Walt Disney & P.L. Travers |
Despite the strong performances and entertaining narrative there were aspects of the film that I found a little difficult to swallow. As this is a Disney film of course it was always going to be on Disney's side - the film concludes with Travers overcome with emotion and jubilation at the final Mary Poppins, when it is renowned that in reality she was outraged by her treatment and the loopholes that Disney had snuck into her contract that undermined the creative decisions they had previously agreed on. As a result Travers refused to let any of her future books be adapted. In fact, Travers was so offended by the way that Disney treated her book that when asked for the rights to make Mary Poppins a West End musical she agreed only on the condition that no Americans were to take part in the production of it.
The sugar-coated, 'happily-ever-after', 'Disney-is-such-a-great-guy' element was a little too sickly and forced when you are aware of the reality behind the film, but as a work of fiction, and if you allow yourself to let go of the reality and maintain an element of ignorance, the ending was incredibly powerful and when I left the cinema I felt slightly dazed by the emotional roller-coaster that I had experienced as a result of the flashbacks and Travers' fictitious yet heart-breaking reaction to the final film.
All in all, Saving Mr. Banks is a charming and heart-warming film - powerful performances and an intriguing plot make it an interesting and captivating watch. I do recommend seeing it but be sure to take what you see with a pinch of salt instead of a spoonful of sugar and remember that although he is undeniable the incredibly creative man behind most of our childhoods, Walt Disney wasn't truly the 'all-round good guy' as so desperately put across in this film.
★★★★☆
Saving Mr. Banks is out nationwide from the 29th of November
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