I'm Stephanie and i love films, here i will post spoiler-free reviews!

Thursday, 30 January 2014

THAT AWKWARD MOMENT

awkwardmomentposter




Zac Efron is back on the big screen in That Awkward Moment, a bromantic comedy that documents the dating lives of three friends. When Mikey (Michael B. Jordan) is left devastated by his unfaithful wife, he and his two buddies (Efron and Miles Teller) vow to stay single for as long as possible. However, their pledge of brotherhood comes into jeopardy when they each secretly fall in love.
Writer and director Tom Gormican’s movie debut, That Awkward Moment falls short of the standards set by other male-buddy orientated films such as The Hangover or American Pie series. The film’s trailer and accompanying synopsis of ‘how men deal with ‘that awkward moment”, meaning the moment when a girl asks where the relationship is going, has had it playfully dubbed by some as ‘a chick flick for guys’. However, That Awkward Moment isn’t really about, well, that awkward moment – or what Efron’s character Jason refers to as the ‘So’. Aside from a few momentary references to this conversation, Gormican seems to have forgotten the crux of the film and instead much of the 94-minute run time is dedicated to awkward jokes and awkward cast interaction – without an ‘awkward moment’ in sight.
That Awkward Moment Review movies movie reviews The issues begin with the character set ups – it’s clear here that Mikey is supposed to be the sensible one, pining for his wife and unable to even think of being with another girl. Daniel (Teller) is the ‘funny’ one who hides any shot of a real relationship with real emotions under a barrage of uncomfortable jokes. Then there is Jason who is lazily introduced as a heartless playboy in the brief dialogue that accompanies the opening scenes, however, once the film gets going it is easy to forget that he is supposed to be a player with much of the film focusing on his loyal infatuation with Ellie (Imogen Poots). Jason’s relationship with Ellie goes against the ladies’ man facade; a facade which seems forgotten in its entirety until towards the end of the film when he has a ‘revelation’ that he needs to stop being such a womanizer – needless to say this was a very confusing and random revelation that only makes the audience realise just how misrepresented Jason’s character had been throughout.

Despite the lazy character development, the film’s biggest problem actually comes with the complete lack of chemistry between the male cast. It almost feels as though you’re watching the audition process rather than the final product as the cast deliver their lines as if they’re still reading from the script with no sense of natural character interaction. As a result, the comedic timing is completely off throughout most of the film, making a lot of the jokes fall flat – awkward? Absolutely. But perhaps not in the way that was intended.

That Awkward Moment Review movies movie reviews It isn’t all entirely bad; one of That Awkward Moment’s saving graces comes from the refreshing lead female characters, Ellie and Chelsea (Mackenzie Davis). Shying away from the stereo-typically emotional and clingy girls that are found in male-orientated films, these girls are likable, relatable, and realistic depictions of contemporary twenty-something girls. Although sometimes a little too desperate to be quirky (at times Poots attempted to channel Zooey Deschanel circa 500 Days of Summer to the extent of parody), it was still a step forward in female representations for comedies of this kind, with Mackenzie Davis giving a particularly warm and genuine performance.
All in all, That Awkward Moment is just a little bit too confused. Gormican appears to have had a vague idea when writing the story but didn’t devote the time or energy into fleshing the characters out, particularly the protagonist Jason. If the male leads had better chemistry then the film would probably be salvageable and there are occasional moments of humour in the script that only get lost in translation through their delivery.
To conclude, nothing says ‘That Awkward Moment’ more than when a film’s cast is so lacking in chemistry that even the blooper reel fails to rouse laughter from the audience! That Awkward Moment has  potential that would have shone through if more time been spent in developing the story and casting actors that were better able to connect with one another.

☆☆☆



Stay tuned for more reviews and follow me on twitter if you fancy it :)

Love,

LONE SURVIVOR

Lone-Survivor-poster-e1376297609164

My review from flicksandthecity.com


Mark Wahlberg stars in this tragically true story of heroism and courage. Lone Survivor recounts the failed 2005 mission when four members of SEAL Team 10 attempted to capture notorious Taliban leader Ahmad Shahd. However, isolated from help the group faces an impossible moral decision – the outcome of which triggers a brutal attack from the Taliban. Heavily outnumbered the four men must fight against the odds but, as the film’s title suggests, there are tragic consequences.
Lone Survivor Review movies movie reviews
The real heroes behind SEAL Team 10
The film opens in the midst of a busy army base in Afghanistan and a wide mix of characters are introduced to the audience sporadically. The conversation is disjointed and focuses on the men as a whole rather than the four main characters but it does make them  instantly relatable as they discuss menial, everyday topics whilst preparing for a life-threatening mission.
The characters are split into groups and the upcoming mission is detailed, which is when the story picks up pace. The various characters are much easier to follow once you know who  the four central ones are, and when they’re in the mountains, away from the hustle and bustle of the main base, you’re given the opportunity to focus on the story at hand without any confusion or distractions.
The 15 minutes or so that follow are perhaps the most crucial in building a connection between the characters and the audience. They precede a 45-minute epic action sequence, and during this time we get to know each character’s distinctive personality traits and we share their threat of impending doom when it becomes apparent they’ve lost contact with the base. However, before we have a chance to fully invest ourselves into these characters and their plight, the Taliban attack and from then on it’s non-stop action.
For 45 minutes there are guns, blood and a lot of death. Undeniably there are the occasional moments of tenderness between our four leads, times where they risk their lives in order to save each other and make huge sacrifices in order to ensure that no man gets left behind. Unfortunately you can’t help but feel that moments such as these would have been more effective if more time been devoted to getting to know the characters. Yes, these scenes have impressive cinematography and great performances but a stronger audience connection to the characters is missing.
Lone Survivor Review movies movie reviews
Mark Wahlberg is the Lone Survivor
The fighting ceases just as it starts to exhaust itself, and it’s a refreshing and welcome change to be focused on the lone survivor Marcus (Mark Wahlberg) as he fights his way to survival. Having lost all of his ‘brothers’ in the battle and with no way of contacting the base he’s given sanctuary by some kind-hearted villagers. However, after a few all-too-brief tender moments of interaction between Marcus and the father and son who saved him, more bloodshed and violence ensues.
Despite the abundance of violence and lack of dialogue throughout the film it remains impossible to not be moved, particularly during the final scenes. Before the credits roll, photographs of the real soldiers behind the characters fill the screen in a touching and thought-provoking tribute, bringing home the brutal reality of war. Detailed and informative captions follow, which help to answer any questions that the film left unanswered. Both the photographs and the captions are a heartfelt and emotional addition to the film, reinforcing to the audience just how real it all is.
All in all, the entire cast shines in this adrenaline-pumped action fest that provides a brutally honest and moving tribute to those risking their lives on the front line. Extra character development before the action kicked off would have helped to connect the audience with the characters and create an even stronger emotional impact.

★★☆☆

Lone Survivor is released nationwide on 31 January 2014!



Stay tuned for more reviews and follow me on twitter if you fancy it :)


Love,

Saturday, 25 January 2014

DALLAS BUYERS CLUB


I'll admit, pre-award season I hadn't paid much attention to Dallas Buyers Club. The fact that it isn't released in the UK until February, a whopping three months after it's stateside debut, meant that trailers have only just started to air and before the Golden Globe nominations had been announced I don't think I had even heard of the film.

As a result, this film almost flew right over my head, and I am unable to decipher whether it was the trailer or the hype that became the main reason for my delayed excitement and desire to see the film. Although, one thing that I can say with absolute certainty is that the fact Jared Leto is surprisingly receiving the long-awaited attention that his acting capability deserves was definitely a factor.

Despite the fact that Leto is a fantastic actor, his performance in Requiem for a Dream fourteen years ago is more than enough evidence to show that, I didn't think that we would ever see the day that the front man of a popular rock band will be nominated for an Oscar, let alone be favourite to win. After his Golden Globe triumph I was hellbent on seeing what all the fuss is about for myself - he is a great actor, but could his performance really be any better than that of the drug-addicted Harry Goldfarb in Requiem for a Dream? That masterpiece didn't warrant him any Academy attention, so what is so special about his Dallas Buyers Club performance? Well, I can safely say that now that I have seen the film, I completely understand the fuss.

Matthew McConaughey gives a career-defining performance
Set in 1985, Dallas Buyers Club tells the true life story of Ron Woodroof (Matthew McConaughey), a homophobic rodeo cowboy from Dallas Texas who is diagnosed with HIV and given just thirty days to live. After the medication Ron receives in US hospitals makes him even more ill, he travels to Mexico where he meets with a doctor who gives him medication that isn't approved in the US, despite the positive effect that it has on HIV sufferers. It soon occurs to Ron that he can make money from this miracle drug, so he smuggles it into America and with the help of a HIV+ transgender woman (Jared Leto) he opens up a Buyers Club, where those suffering with HIV and AIDs can buy a membership in order to receive the medication.

Everything about Dallas Buyers Club is strong, but nothing more so than the incredible talent. McConaughey and Leto both give career-defining performances with McConaughey creating somewhat of a charming anti-hero in the form of Ron Woodroof. Initially, the Southern hick is quite an unlikable character; he drinks, he does drugs and he has dirty casual sex, all on top of his unforgivably homophobic intolerance of the fellow HIV patients that he encounters once he has been diagnosed. However, Ron's response to his diagnosis is nothing short of heartrending and admirable in equal measures as upon hearing his short life expectancy he utters 'There ain't nothing out there that can kill Ron Woodroof in 30 days' before he goes out there, reads up on the disease and then does everything he can in order to get the treatment that he needs whilst also hustling up some money by making an illegal business out of it.

The themes throughout are quite positive despite the film's difficult subject matters of the trauma of HIV and AIDS alongside the injustice of the American healthcare system at the time. Although the tone of Dallas Buyers Club teeters slightly more on the upbeat and heartwarming side of cinema, it certainly isn't without it's fair share of heartache and tragedy and director Jean-Marc Vallee ensures that whilst watching you do not forget for a second the gravity of the subject matter and it is by no means 'easy-viewing'.

Ron Woodroof's character development is perhaps the most insightful and endearing aspect of the film, and a testament to Matthew McConaughey's heartfelt performance. It is satisfying as a viewer to watch how this rodeo, cowboy hustler grows as his illness develops. From the way he copes with being ostracized by his so-called friends and finds solace and friendship in a queer person whom he mocked and insulted when they first met in neighboring hospital beds, to the change in his attitudes towards gay people and societal injustices in general; it is clear throughout that Ron Woodroof is becoming a better person but without losing any of his mischievous charm or lust for life. A character that is initially quite difficult to watch quickly becomes a character that you can't help but love and can't help but root for throughout the film.

Despite McConaughey's incredible performance and the heart he gives Ron Woodroof, the undeniable
Jared Leto steals the show as Rayon
scene-stealer of Dallas Buyers Club is Jared Leto as transgender woman Rayon. Rayon is a complex and intriguing character that is simply mesmerizing to watch, and I found that I couldn't take my eyes of Leto no matter what else was going on in the scene. I was pleased to see that Rayon was given depth and layers and although she starts out being the fun and sparkle that eases Ron into understanding the LGBTQ community a little better, she also gets the chance to display her vulnerability and raw emotion as the film goes on - taking full advantage of Leto's astounding range as he is pushed to the limits but doesn't even come close to breaking. Instead, he gives a consistently strong and heartbreaking performance, giving Dallas Buyers Club the edge that it needed in order to take it to the next level of cinema.

All in all, Dallas Buyers Club is a must-see film that showcases two incredible actors in their prime. A lot of the time I find myself questioning whether the films that get masses of attention from the big awards shows are really worth their acclaim, but in this instance I am thrilled to say that Dallas Buyers Club is not only worthy of every nomination it has received but every inevitable win too. A film that remains entertaining whilst dealing with a delicate subject matter is hard to come by, especially one as thought-provoking as this, yet the incredible combination of Vallee, Leto and McConaughey ensures that Dallas Buyers Club is nothing less than flawless in execution as together they strike a perfect balance of entertainment, sensitivity and heartache. 


★★

Dallas Buyers Club is out nationwide from February 7th!

 Stay tuned for more reviews and follow me on twitter if you fancy it :)


Love,


Monday, 20 January 2014

Oscars Reaction

It has taken a few days but I have finally stopped reeling from the Oscars Nominations announcement for long enough to make a reaction post. Here are my thoughts on some of the nominees alongside who I want to win and who I think will win.

In case you missed them first time round, look out for links to my full reviews for some of the nominees!




Best song

'Alone Yet Not Alone', Alone Yet Not Alone
'Happy', Despicable Me 2
'Let It Go', Frozen
'The Moon Song', Her
 'Ordinary Love', Mandela: Long Walk to Freedom


My only solace with this years nominations was that Taylor Swift was not nominated for the Best Song Oscar.


Despicable Me 2

Who I want to Win: 'Happy', Despicable Me 2

Who will probably win:I can't choose between 'Ordinary Love'and 'Let It Go' ; personally I couldn't understand the fuss that Frozen got and I found the soundtrack to be screechy rather than inspiring but considering it's mainstream success an Academy win will hardly be surprising. 




Best Costume Design

The Great Gatsby 
12 Years a Slave
American Hustle
The Grandmaster
The Great Gatsby
The Invisible Woman


Who I want to win: The Great Gatsby

Who will probably win: American Hustle; I can't really understand the extensive nominations that American Hustle received (*cough* $$$ *cough*) and from the way they are leading the nominations a part of me thinks they are going to lead the way with the wins too. Can't imagine how. (*cough* $$$ *cough*)




Best Original Screenplay

American Hustle
Blue Jasmine
Dallas Buyers Club
Her
Nebraska

American Hustle
Who I want to win: Dallas Buyers Club

Who will probably win: Potentially Dallas Buyers Club but if not then I suspect American Hustle or Blue JasmineAnother film that I just could not understand the hype circus around... But it dabbles with mental illness so of course people will lap it up, I call it the 'Silver Linings' effect.




Best Adapted Screenplay

12 Years a Slave
Before Midnight
Captain Phillips
Philomena
The Wolf of Wall Street


Captain Phillips
Who I want to win: The Wolf of Wall Street... But I wouldn't be entirely unhappy if Captain Phillips took the crown

Who will probably win: 12 Years A Slave. Because slavery.







Best Supporting Actress

Sally Hawkins, Blue Jasmine
Jennifer Lawrence, American Hustle
Lupita Nyong'o, 12 Years a Slave
Julia Roberts, August: Osage County
June Squibb, Nebraska

Sally Hawkins in Blue Jasmine

Who I want to win: Sally Hawkins, Blue Jasmine. Now, I may not have liked the film but I thought Hawkins was astounding in it.

Who will probably win: This is the category that caused my stress palpitations upon announcements because I just can't, can't, can't get the hype that surrounds Jennifer Lawrence. A cleverly marketed PR dream, everyone seems to have fallen for her kooky 'i'm so normal' facade whilst ignoring the fact she is a relatively mediocre actress. I'm still not over her unjust win of the best actress award last year (the award that most definitely should have gone to the phenomenal Quvenzhané Wallis for her breathtaking performance in Beasts of the Southern Wild), and I just know she will be the undeserving winner again when, in all honesty, she shouldn't even be nominated. Can't think why she was... (cough* $$$ *cough*)


Best Supporting Actor

Jared Leto in Dallas Buyers Club
Barkhad Abdi, Captain Phillips
Bradley Cooper, American Hustle
Michael Fassbender, 12 Years a Slave
Jonah Hill, The Wolf of Wall Street
Jared Leto, Dallas Buyers Club

Now, this was an interesting one as I loved The Wolf of Wall Street and Jonah Hill gave a great performance in it, sure. But an Oscar worthy performance? His nomination was perhaps the biggest shock inclusion for me. I'm in no way saying his performance was bad or even anything less than great but it was also just what I expect when watching such a high quality blockbuster. I thought Oscars were for performances that go above and beyond, not the high quality expectation that we behold of A-List actors. 

Who I want to win: Barkhad Abdi, deserves attention for the way he was able to steal the scene away from legendary actor Tom Hanks, however in my heart I truly believe it should go to  Jared Leto, Dallas Buyers Club - simply an outstanding performance.


Who will probably win: Jared Leto, Dallas Buyers Club. Dear God, I hope so.


Best Actress

Amy Adams, American Hustle
Cate Blanchett, Blue Jasmine
Judi Dench, Philomena
Meryl Streep, August: Osage County

Emma Thompson has been unforgivably snubbed.
Outrageous that Emma Thompson wasn't even nominated for her role in Saving Mr. Banks as to me she would also be the worthy winner!

Who I want to win: Judi Dench, Philomena

Who will probably win: Cate Blanchett, Blue Jasmine. Well, you could basically see her brain screaming 'Oscar' throughout her entire performance...

Best Actor

Christian Bale, American Hustle
Bruce Dern, Nebraska
Leonardo DiCaprio, The Wolf of Wall Street
Chiwetel Ejiofor, 12 Years a Slave
McConaughey, Dallas Buyers Club


A crying shame that Tom Hanks was snubbed for his Captain Phillips performance. Totally unacceptable.
Could 2014 be Leonardo DiCaprio's year?

Who I want to win: Leonardo DiCaprio, The Wolf of Wall Street. It's been a long time coming, please God please just give the man an Oscar. ANY Oscar!

Who will probably win: Admittedly, Leo faces tough competition this year with Matthew McConaughey, Dallas Buyers Club, or Chiwetel Ejiofor, 12 Years a Slave, being my bets to win.


Best Director

Alfonso Cuaron, Gravity
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
David O Russell, American Hustle
Martin Scorsese, The Wolf of Wall Street

Paul Greengrass is not even nominated for his brilliant work in encapsulating the claustrophobic and terrifying ordeal of Captain Phillips yet Steve McQueen has a nomination for his much-too-long, lack-of-a-time-scale injustice of 12 Years a Slave. Right.


Martin Scorsese on set
Who I want to win: Martin Scorsese, The Wolf of Wall Street - the guy makes a three hour long film that feels like fifteen minutes, if that doesn't warrant an award then I don't know what does.

Who will probably win: Alfonso Cuaron, Gravity. As long as it isn't McQueen I will be relatively happy.









Best Picture

12 Years a Slave
American Hustle
Captain Phillips
Gravity
Nebraska
Philomena
The Wolf of Wall Street



Gravity

Who I want to win: The Wolf of Wall Street. But if Dallas Buyers Club or Captain Phillips win it wouldn't be a total loss


Who will probably win: Gravity. Or 12 Years a Slave perhaps.... Although I wouldn't be shocked if American Hustle did (*cough* $$$ *cough*)



So, there we have it. Now we just have to keep counting down the days until March 2nd to find out the results - I'm hoping that I am about 95% wrong with my predictions but we will have to wait and see!

Let me know who you are backing this year!

Love,


Sunday, 19 January 2014

12 YEARS A SLAVE


Hype engulfed 12 Years A Slave ever since it was announced that the unjust true story of Solomon Northup was going to finally be told on the big screen. Before the film was even released it was expected to clean up at the Oscars and has since been nominated for 9 of the prestigious Academy Awards. Despite there being a fair few films depicting slavery in America, one of the most recent being Tarantino's 2013 Django Unchained, 12 Years A Slave is actually the first to explore slavery purely from the slave's point of view.

In case you don't already know, 12 Years A Slave is based on the memoir of Solomon Northup (Played by Chiwetel Ejiofor), a free black man living in pre-Civil War America who is kidnapped and sold into slavery. For 12 long years Solomon experiences both heinous cruelty and unexpected kindness from his masters but it isn't until a chance meeting with a Canadian abolitionist (Brad Pitt) that he finally gets a chance at being free again.

According to critics, 12 Years A Slave lived up to its pre-release hype. The story alone fascinated me but the raving reviews that I was consistently hearing made me even more excited to see this masterpiece for myself but I am disappointed to say that it just didn't live up to my expectations.

Director Steve McQueen is famed for his lingering shots and needlessly long scenes, a trademark of which this film is not exempt. Although for some scenes I understood the length of the shots - the abuse and torture Solomon faced at the hands of his captors was a particularly lengthy, graphic scene that forced the audience to sit and watch - making you feel voyeuristic and helpless. McQueen does not sugarcoat the abuse that the slaves faced, and rightly so - although incredibly disturbing to watch I believe that audiences should not be allowed to forget or gloss over our World's history, no matter how horrific it may be. However, other long scenes just seemed gratuitous to me - the extra minute or so in length did not add to the story or to the emotional impact on the audience, the camera just lingered meaninglessly on extreme close ups of the characters or needless, scene-setting longshots. The extensive amount of long scenes grew tiresome and made the film itself feel much longer than the 134-minute run time.

However, the biggest issue that I had with 12 Years A Slave is the lack of a time frame; throughout the film there is absolutely no reference or even indication to how much time is passing for Solomon. Obviously I was aware through the film's title that in total he spent 12 years as a slave but if it wasn't for that title and was instead purely down to the film's contents, I would probably have only guessed that he was kept for two or so years before he found justice. Aside from a few specks of grey appearing in Solomon's hair in the very final scenes, he doesn't look any older throughout the film. None of the characters seem to age at all. There is no hint of seasons changing, let alone the years and I thought it was lazy for McQueen to allow the film's title and well-known backstory to carry what is ultimately the crux of the film. The fact that Solomon was essentially held prisoner and away from his family for 12 years is what makes his story all the more harrowing and by removing all traces of passing time I actually feel McQueen did not do Solomon's plight justice. When you consider how much time was devoted to unnecessary lengthy scenes, you would have thought McQueen could have found the opportunity to put in some kind of indication as to how much time had passed. In comparison to fellow January release Mandela: A Long Walk To Freedom, a film which never left any doubt in my mind as to how much time was passing either through the seasons, dialogue, captions or even just the change in the characters physical appearances, 12 Years A Slave is shambolic.

McQueen's shoddy direction aside, I did feel that the performances were strong. I'm not usually a fan of Benedict Cumberbatch but he gave a heart-warming, complex and emotional performance as Solomon's first master, Ford, and Michael Fassbender personified the evil Edwin Epps with harrowing precision. Cumberbatch and Fassbender's performances gave the film the edge that it needed to maintain my attention and the contrast between the two men was astounding and incredibly well done. Of course, it is undeniable that the performance that stole the show was our leading man, Chiwetel Ejiofor; a powerful performance that carried the film as Ejiofor skilfully conveyed the heartache and sorrow that Solomon felt but also, and most poignantly, his desperation to not only survive but to maintain his dignity whilst doing so. 

All in all, 12 Years A Slave is a brutal and honest depiction of the horrors of slavery in America. Solomon Northup's story is disturbing but was crying out to be shared and I applaud McQueen for bringing a story that would otherwise have remained relatively unknown to the forefront of public interest. However, for me McQueen's direction was the downfall of this film - the long shots and lack of a time scale made it boring at times and by failing to get across the length of time that Solomon was suffering at the hands of Edwin Epp, to me at least, he failed to bring Solomon justice. Were the performances good? Absolutely, and Ejiofor is especially deserving of all of the hype that is surrounding his role in the film. However, is 12 Years A  Slave the best film of the year? Absolutely not. And that is not something I expected or wanted to be concluding with.


★★☆☆

12 Years A Slave is out now! 

 Stay tuned for more reviews and follow me on twitter if you fancy it :)

Love,

Friday, 10 January 2014

THE WOLF OF WALL STREET



Me on The Wolf of Wall Street red carpet
The Wolf of Wall Street was without a doubt my most anticipated film of 2014, and as a life-long fan of Leonardo DiCaprio you can only imagine how thrilled I was to attend the London premiere for the film last night! Although unfortunately director Martin Scorsese wasn't in attendance at the premiere, nor did my luck extend to actually meeting the God that is Leonardo DiCaprio, I had a brilliant time and couldn't believe that one of the biggest stars on the planet, one of my idols, was stood just a mere two feet away from me.

On top of all of the excitement of the night, I am pleased to say that The Wolf Of Wall Street lived up to my expectations and then some as Scorsese and DiCaprio united for the fifth time to make yet another cinematic masterpiece.

Based on the true story of Jordan Belfort (DiCaprio), The Wolf of Wall Street documents Belfort's corrupt rise to a multi-millionaire stockbroker who lives a life of sex, drugs and excess. By 1998 the FBI are on Belfort's case with suspicions of security fraud and money laundering, which leads the film to a climactic and unpredictable conclusion.

Leo & Margot introducing the film at the premiere
At three-hours long, The Wolf of Wall Street managed to hold the same high-quality throughout with powerhouse performances, great direction and an intense and entertaining narrative, all cleverly matched with comedic undertones that made the 180 minute run time fly by. Every scene is fast-paced and exhilarating to watch and the audience are not given the opportunity to get bored or lose interest in the story as just when you think that it might be starting to die down, Scorsese throws in another curveball; be it an unexpected scene of DiCaprio writhing around on the floor, off his face on drugs, or a sudden party with booming music and such extravagance and shenanigans it would put Gatsby to shame. 

All in all, the film is a steady flow of entertainment and shock tactics as Scorsese steps out of his comfort zone to make a film almost incomparable to his other major crime movies through the heavy use of black comedy and glossy cinematography; making The Wolf of Wall Street shiny and artificial-looking, miles away from Scorsese's usual gritty thrillers but appropriately reminiscent of Belfort's lifestyle. 

Leonardo DiCaprio gives another winning performance
Unsurprisingly, Leonardo DiCaprio gives yet another show-stopping performance as the corrupt, anti-hero Jordan Belfort and proves that over years in the industry he hasn't lost his sense of humour as he delivers some brilliantly hilarious scenes, which you can just tell were performed with good banter and Leo's tongue firmly in his cheek. DiCaprio's voiceover carries the film as it keeps the audience up to speed with what is going on and even though you may know absolutely nothing about stocks or Wall Street, the voiceover cleverly tells you just enough for you to understand the criminal activity that is making them so rich, without being patronizing or taking up too much time.

Despite DiCaprio's powerhouse performance, the relatively humble supporting cast held their own and were just as fascinating to watch as the leading man. Shunning the possibility of fading into the background against a Hollywood superstar, Margot Robbie, who played Belfort's long-suffering wife Naomi, Jonah Hill, playing Belfort's best friend Donnie, and the rest of Belfort's various friends, foes and accomplices helped bring The Wolf of Wall Street to another level of entertainment. The entire cast had a great connection which showed through their on-screen rapport as the expletive-ridden dialogue bounced between the characters as though they weren't actors portraying a character but old friends for whom the conversation came naturally and realistically.

My only criticism of The Wolf of Wall Street comes with the film's very final moments. The few scenes prior are a pulse-pounding mix of violent, domestic disputes, suspenseful 'will-he-won't-he' interrogations and a wicked turn of events which all feels like it is leading up to a mind-blowing climax that in fact turns out to be a little bit underwhelming. Being based on a true story leaves Scorsese relatively powerless when it comes to how Jordan Belfort's story ends, however, the ending felt a little bit sudden and left me wanting more. A want that was only intensified when the film's credits started rolling without any of your closed-caption summaries of what became of Belfort and the rest of the characters that are typical (and expected) of film's that are based on true life stories.

All in all, The Wolf of Wall Street is an exciting, entertaining and exhilarating watch. A three-hour action-fest that is full of excessive lifestyles, great performances and big laughs, ensuring that Scorsese and DiCaprio are back exactly where they belong: firmly at the top of the game.

★★★★

The Wolf of Wall Street is out nationwide from 17th January!

Stay tuned for reviews and follow me on twitter if you fancy it!

Related Article: The 5 Oscars Leonardo DiCaprio Should Have Won By Now

Love,


I may not have met Leo, but here is me walking past him on the BBC News!


Monday, 6 January 2014

The 5 Oscars Leonardo DiCaprio Should Have Won By Now

One of many Internet memes

Leonardo DiCaprio is one of this generation's most respectable actors. Having worked in Hollywood since he was a teenager, he made himself a household name after playing Jack Dawson in the 1997 blockbuster Titanic.

However, after nearly 25 years in the industry where he has played everybody from King Louis XIV to Jay Gatsby, from the mentally ill to a teen heartthrob, from a drug addict to President Hoover... DiCaprio is yet to get his hands on a prestigious Oscar.

As the unofficial eighth wonder of the world, DiCaprio's struggle for his talent to be acknowledged by the Academy has become somewhat of a novelty over time, with many a hilarious meme being made to document his strife.

With the 86th Academy Awards looming, I take a look back at the five Oscars Leonardo DiCaprio should have won by now.

(Warning: Some of the clips may contain spoilers!)






BEST SUPPORTING ACTOR: as Arnie Grape in What's Eating Gilbert Grape (1993)
Yes, DiCaprio's Oscar's Award Cabinet should have received it's first addition in 1994. That is twenty years ago! Leonardo DiCaprio's performance as Gilbert Grape's mentally handicapped brother was astounding, with many originally believing that the young actor genuinely had a mental disability. Although DiCaprio was nominated for Best Supporting Actor, forming the film's sole nomination at the Oscars, he lost out to Tommy Lee Jones in The Fugitive - thus beginning a long and unjust relationship between Leonardo DiCaprio and the Academy.


                                       

BEST ACTOR: as Jim Carroll in The Basketball Diaries (1995)Fast-forward a mere two years and once again DiCaprio has given another Oscar-worthy performance. This time in The Basketball Diaries, a true life story of Jim Carroll, an unbeatable High School basketball star who falls into the harrowing world of drug addiction. Aged just nineteen, DiCaprio gives a powerful and hard-hitting performance in his first major lead. Unbelievably, the brilliant film was snubbed by the Oscars in it's entirety and didn't receive a single nomination. Nicolas Cage won the Best Actor award for his role in Leaving Las Vegas but I maintain that DiCaprio's performance in The Basketball Diaries was better than that of Cage and all the other nominee's performances put together. (Too much?)



 BEST ACTOR: as Howard Hughes in The Aviator (2004)
I am being ruthless here because if I were in charge of dishing out the Oscars I would have given old Leo one for every film he has ever made, however, it is undeniable that he should have won Best Actor for his portrayal of Howard Hughes in the Martin Scorsese biopic The Aviator. Howard Hughes suffered terribly with OCD and DiCaprio gives a sensitive albeit brutally realistic performance displaying these signs - initially starting with minor things, such as the size of his peas, and ultimately leading to the above scene. The film itself won five Oscars, but sadly none of them went to Leo, who was at the very least nominated for the coveted Oscar but lost out to Jamie Foxx for his performance in Ray Charles. Booooo!




BEST ACTOR: as Danny Archer in Blood Diamond (2006)
Ah, in this alternate reality DiCaprio's awards cabinet would be straining under the weight of all those Oscars by now! Two years after The Aviator he took on the role of a corrupt diamond smuggler Danny Archer, but most importantly he took on the notoriously difficult South African accent and won! The accent was the only thing he won though as yet again Leo's efforts got him nominated in the 79th Academy Awards but.... Well, you know how it goes by now. Forest Whitaker took home the golden statuette for his role in The Last King of Scotland, which is a good film but come on, poor Leo just can't catch a break!



 BEST ACTOR: as Frank Wheeler in Revolutionary Road (2008)
Last but certainly not least on the list is the outstanding reunion of Leo & Kate in this emotional, high-tension drama Revolutionary Road. The two actors carry the film with ease in this fairly simple story of a young couple who are coming to terms with their personal problems whilst raising two children. The beauty of this film is that nothing spectacular happens in the actual story - there are no explosions or fancy effects, there aren't massive twists and turns - it is just the very organic and raw story of a couple who have fallen out of love with each other and Kate Winslet and Leonardo DiCaprio's performances, as demonstrated above, are stronger than ever. Revolutionary Road was nominated for three Oscars in total, but surprise surprise Leo was snubbed and didn't even receive a Best Actor nomination (the award for which went to Sean Penn in Milk). Winslet was also snubbed and was equally deserving for Academy recognition for her role as April Wheeler, but as she actually won the Best Actress Oscar for her role in The Reader this same year, I guess we can't be too picky!


So there we have it: five great films.
Five great performances.
One great actor
and zero Oscars.

And now, with Leonardo Dicaprio's newest film The Wolf of Wall Street due for release later this month, there are whispers that perhaps 2014 will be his year; could his 35th film be ~the one~?

Well... It is nice to hope but let's be frank, with his track record and all of the phenomenal performances that have already been snubbed it looks like our Leo  might not ever get his hands on one of those prestigious gold statues, but don't worry Leo - you will always be an Oscar winner to me </3


Love,